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The Viceroys: A Novel, by Federico De Roberto

The Viceroys: A Novel, by Federico De Roberto



The Viceroys: A Novel, by Federico De Roberto

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The Viceroys: A Novel, by Federico De Roberto

A lost literary classic, written in 1894, The Viceroys is one of the most acclaimed masterworks of Italian realism.�The novel follows three generations of the aristocratic Uzeda family as it struggles to hold on to power in the face of the cataclysmic changes rocking Sicily. As Garibaldi’s triumphs move Italy toward unification, the Uzedas try every means to retain their position. De Roberto’s satirical and mordant pen depicts a cast of upper-class schemers, headed by the old matriarch, Donna Teresa, and exemplified by her arrogant and totally unscrupulous son, Consalvo, who rises to political eminence through lip service, double-dealing, and hypocrisy. The Viceroys is a vast dramatic panorama: a new world fighting to shrug off the viciousness and iniquities of the old.

  • Sales Rank: #263599 in Books
  • Published on: 2016-01-19
  • Released on: 2016-01-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.34" w x 5.44" l, .81 pounds
  • Binding: Paperback
  • 640 pages

Review
“Verso Books has done a good deed in this timely republication of a remarkable novel. The capriciousness, the blind avarice and superstition, the arrogance and unearned license that the Uzedas embody cannot but resonate today.”
—Nation

“A skilfully crafted novel. De Roberto’s technique is so confident, the Verso Classics timing and rhythm of the narration are so controlled and constant.”
—Leonardo Sciascia, author of The Day of the Owl

“A unique combination of naturalistic lucidity over the fate of impoverished aristocracies, and a Goya-like inventiveness in extracting from social disintegration a whole gallery of grotesques and monstrosities … a superb lesson in how coarse and rancid the collapse of a ruling class actually is.”
—Franco Moretti

“Undoubtedly a classic.”
—Fredric Jameson

About the Author
Federico De Roberto (1861–1927) was an Italian writer who became well-known for his novel I Vicer� (1894), translated as The Viceroys.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Well-drawn characters in a solid dining room drama
By Melissa Gondek
I don't know a great deal about Italian lit from the 19th century, so I can only come at this book from what I do know. I studied English lit from the Middle Ages forward, so that's the context for my reading of this book.

The first chapter of The Viceroys almost threw me off reading the book. It's choppy, disconnected, and hard to follow. I attribute a lot of this to the translation, but obviously can't confirm without knowing more Italian than I do. But I stuck with it, and the book definitely improved.

The characters are complex, interesting, and well-drawn. De Roberto's story seems to capture the mood of the period, and I found echoes of the same bleak fatality of James and even the frustrated voice of Eliot. That said, the story didn't have the dark "please just shoot me now" atmosphere of, say Silas Marner. De Roberto seems more cynical than depressed.

I love reading period fiction for the glimpse it gives of history. This book does not disappoint, and I came away with a surprisingly better understanding of Italy's history and even of how the mafia of the U.S. came about (in a distant way). I do suggest doing some background reading on Italian history in the 19th century before tackling this book, if you're not already knowledgeable. A lot of the references and even passing dialogue made a lot more sense after I put the book down long enough to do some research (even just Wikipedia will help).

I'd like to deduct 2 stars for the translation, but won't since my disappointment is conjecture. That said, the problems I had were with several points that were, honestly, jarring. One character is described as an "economy model," other characters greet each other with "What's up?", and another character is nicknamed The Booby. While I suppose it's possible these are historically appropriate idioms, they seemed a lot more like the author's poor attempt to translate Italian slang into English - but using English of the 1960s instead of 1890s. I found all this very distracting, and these poor idioms definitely contributed to the lousy first chapter. Once I swallowed those, though, things improved - maybe because there was less dialogue and the author's language became more formal.

Recommended for literature lovers and those interested in historical fiction (historical in age, not modern fiction about history). Recommended with reservations for general fiction readers, and only for those with a taste for dining room drama.

5 of 6 people found the following review helpful.
Tough Going
By Dr. J. J. Kregarman
De Roberto wrote I viere in 1894. In 1959 it was translated into English as The Viceroys by Archibald Colquhoun and published in 1962. In 1963 Colquhoun won the PEN Translation Prize for this work. What we have here, as far as I can tell, is a paperback reprint of the the 1963 edition.
There have been multiple Italian editions of this novel. It is even available as an audio book in Italian on Amazon. A movie was made, but, alas, as far as I can tell, is not readily available.

The Viceroys is a novel dealing with the history of Sicily. Colquhoun writes, "the real protagonist is the Year of Unification, dies irae, 1860 itself," the ideals of those involved in the Risorgimento and the betrayal of those ideals. The major characters in The Viceroys are the Uzeda family. Amanda Jenkinson on Amazon.co.uk found them "grasping, selfish and self-centered, a dysfunctional lot by any standards." Colquhoun simply refers to them as "monsters". Yet these monsters are individually well characterized and detailed. De Roberto's prose can be clever, scathingly realistic and engrossing and grip my attention for short periods of time. But still this work was very hard going. There were so many unpleasant characters and a new one arrived late in Book One that I neither remembered or could place. The plot does ramble and at times seems to be going nowhere. After over 200 pages I decided I would have to start reading it again from the beginning if I could really give it its due and Amazon's deadline for reviewing was fast approaching so I left it feeling something of a failure.

Personally I think The Viceroys is an important novel but it is surely hard going and not particularly enjoyable. Yet I may well return to it in the future and read it to its end. My initial mistake was to assume the plot of this book had to do with what the characters did and during the first book they really did not do much of interest. Looking at it as a picture of people and place at a particular time may make it easier going. 1860 is a highly significant year in Italian history. .

2 of 2 people found the following review helpful.
Decline and fall
By John L Murphy
The novel came to 19c Italy, late by European standards. Many of the early ones were epics, such as this one in 1894. As translator Archibald Colquhon explains in the introduction to this book, originally published in 1962 and unaltered here in its only English rendering, its scope recalls Alessandro Manzoni's "I Promessi Sposi" and its Catania setting the mentor of Federico De Roberto, fellow Sicilian storyteller Giovanni Verga. Another book since translated, Ippolito Nievi's massive "Confessions of an Italian," might also fit, as also Giuseppe di Lampedusa's elegy for the passing of a semi-feudal era in "The Leopard." The clash of old and new as land is split up and wealth challenged for redistribution as aristocrats try to hang on to their reputation and their holdings makes for conflict.

Where "The Viceroys" differs, as Franco Moretti's three-paragraph (this seems the only addition to this 2016 reprint from Verso!) forward shows, is a cautionary tale of a family in decline. A favorite theme for many a nineteenth-century audience, after all. The Uzedas over three generations fall apart, and even as their fortunes slip and two sons and a daughter enter religious life, some of them give themselves over to greed as much as those battling for control of their wealth. "A superb lesson in how coarse and rancid the collapse of a ruling class actually is," nods Moretti.

This novel favors, therefore, no one character or vantage point. A naturalist work, but one well adapted to the screen, it sweeps over the Sicilian realm as political reform and clerical corruption bring new forces to rebel against tradition. A simple story, but one told as if for the wide-screen projection. De Roberto casts a cold eye on his personages, and this lacks the gentility of "Il Gattopardo"-- a work to which otherwise this might at first seem parallel or repeating in content.

Readers nowadays might have been given some endnotes beyond the handful of footnotes supplied by Colquhon. This narrative charts the follies and cruelty of the clan after reunification of the Italian peninsula in the 1860s sets off reactionary resentments by the Uzedas. It can be difficult to follow the intricacies as we are so far removed from this time and place, and by the third generation, we may feel as spent as the characters. Still, it's good to have another foundation of the Italian novel, a literature often underappreciated and less read than other European ones in translation, and keeping this in print from left-wing Verso shows that it's a smart match to start off its foray into class-conscious and combative fictional finds.

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